• Interview date: 24-08-2024
  • Format: E-mail

Anime Herald: You’ve got labored on a variety of horror and horror-related works in your profession, from Glad sugar life And Magical Ladies WebsiteDisagreeable Zom 100: Bucket Record of the Useless. How do you suppose your expertise with these initiatives has helped you in engaged on AND THEN AND?

Hiroshi Kamei: Whereas I did not study this instantly from horror works, my expertise with anime manufacturing has taught me the significance of timing in conveying creepiness and worry.

Key visual for DAN DA DAN depicting Momo Ayase, a red-haired woman in a white shirt and short shorts, running alongside Ken Takakura, a nerdy boy in a green sweater and glasses. They are trying to escape a demon that is chasing them, while objects such as a roadblock and a maneki neko statue stand in their way.Key visual for DAN DA DAN depicting Momo Ayase, a red-haired woman in a white shirt and short shorts, running alongside Ken Takakura, a nerdy boy in a green sweater and glasses. They are trying to escape a demon that is chasing them, while objects such as a roadblock and a maneki neko statue stand in their way.

Anime Herald: AND THEN AND will debut in theaters in late August and make its world premiere at Anime Expo on July 6. How does a rollout like this have an effect on the general manufacturing course of, versus a standard TV run?

Hiroshi Kamei: Whereas we haven’t modified the manufacturing course of for this, it’s essential to maneuver ahead directly. By quickly accelerating manufacturing, we will do translation work and put together extra supplies for promotion, permitting for a extra world rollout.

Anime Herald: Do you have got any tales from the manufacturing facet that you just want to share?

Hiroshi Kamei: It was spectacular how the director wrote down completely different concepts in notes, tough storyboards, and generally instantly within the manga throughout script conferences.

Anime Herald: How has your position developed given the expansion of worldwide audiences due to providers like Netflix and Crunchyroll?

Hiroshi Kamei: The core mission of making and delivering fascinating works has not modified, however the perspective of reaching a wider fan base has develop into extra vital. Not solely promotion, but in addition excited about how we will broaden our attain when it comes to streaming and merchandising overseas is essential.

Anime Herald: Which anime and manga impressed you to enter the anime trade?

Hiroshi Kamei: I’ve been watching varied animes since I used to be younger. The animes that influenced me after I watched them in actual time have been Mars successor Nadesico And Cowboy BebopThe manga that impressed me in my youth was Tsurikichi Sanpei.

Anime Herald: Taking issues to 10,000 ft – the place do you see the anime trade getting into 5, ten years? What challenges do you foresee and what do you see as essentially the most urgent points within the brief time period?

Hiroshi Kamei: I believe Japanese anime will proceed to be in demand. Nonetheless, with the rising value of manufacturing, there appears to be a rise in anime productions in genres which can be economically viable, supported by excessive demand.

Key visual for DAN DA DAN, featuring the main characters posing dramatically against the menacing shadows of various spirits and yokai.Key visual for DAN DA DAN, featuring the main characters posing dramatically against the menacing shadows of various spirits and yokai.

As the standard of anime from outdoors Japan will increase, ‘range’ is a requirement for sustaining appreciation for Japanese anime in the long run. Creating an atmosphere the place completely different genres will be profitably produced is an pressing process.

Anime Herald: Moreover, what path would you prefer to see the trade soak up that very same interval? And what steps do you suppose the trade must take to attain that?

Hiroshi Kamei: I hope we will set up a system that may ship works to many international locations worldwide. First, it’s essential to create an atmosphere the place individuals can get pleasure from works as they do in Japan, together with video, merchandise, and unique comics, and for that we have to not solely promote particular person works, but in addition broaden the fan base that watches Japanese anime worldwide.

Anime Herald: What attracted you to this challenge?

Hiroshi Kamei: It began with the concept the unique work may be very fascinating, however I used to be drawn to the fact that I might make it a beautiful anime by including the creativity of Science SARU.

Anime Herald: Is there anything you want to say to our readers?

Hiroshi Kamei: The intrigue of the story, the finesse of the path, the distinctiveness of the animation and structure, and several other different charms are packed on this work, so I’m certain you’ll find it irresistible. I might be delighted should you would test it out.

AND DA AND will air on October 3. Crispy bread And Netflix will stream the sequence worldwide as quickly because it airs.