Rain splashes in opposition to the glass of the cellphone sales space and drops fall just like the embers of fireworks swirling within the distance. Their paths are illuminated by an vague swirl of metropolis lights, maybe automobiles or fluorescent indicators, rendered vague and thus someway enchanting, their uncertainty of kind promising wealth and marvel. The water beads are like liquid jewellery, a pleasant distinction to the sooty inside. Two guys crawl in, hungrily passing cigarettes between them, then sticking a screwdriver into the terminal. A guard bag is stuffed with the cellphone’s bounty, free cash which are a pale imitation of these glittering lights – however right here within the metropolis all of the actually brilliant issues are obscure and out of attain.

Tales of dissatisfied youth all have the identical that means, however their particulars differ, and they’re particulars that compose a life. Trying to find the common implies that your work doesn’t signify anybody; attempting to authentically seize one lived expertise, and all of the thousand textural particulars of that have will flood into our minds, bringing again recollections of heavy rains, damp jackets and fickle lighters from our personal experiences. Rebels of the Neon God follows 4 younger folks via a wealth of such recollections: the 2 coin thieves Ah-tze and Ah-ping, the lady Ah-kuei who will get to know them, and Hsiao-kang, a truant pupil at a college who sees one thing lovely within the metropolis lights, and attributes the aim he can’t discover to Ah-tze’s retreat.

The necessity for one thing greater than that momentary glow, the hope that life affords greater than this, motivates the entire Neon God’s supplicants. Ah-ping affords his pals a trick: $300 trapped between glass beakers, which you’ll’t retrieve together with your palms or ft. How do you declare it? A gorgeous metaphor for his or her lives, wherein happiness or a purpose at all times appears so shut, but is someway impossibly out of attain. There’s received to be a trick to this, proper? Ah-ping comes again and blows the glasses aside. Ah, in order that’s it.

Hsiao sees that ‘one thing extra’ within the lifetime of Ah-tze himself, seemingly free and noble on his bike, whereas the equally aimless Ah-kuei clings to his again. In that temporary second, their lives appear glamorous; Whereas Hsiao holds a grudge in his father’s taxi, Ah-tze smashes the aspect mirror and drives away, untethered by the on a regular basis disappointments of college desks and nagging mother and father. A second of incomprehension that dooms them each, as Hsiao sacrifices his standing in pursuit of that rebellious-without-a-cause glamour, seeing little distinction between Ah-tze and James Dean. However such emotions are at all times transitory; they’re the temporary elation of Born to Run, the courageous rescue of Terror in Resonance, the momentary closing giddiness of The Graduate. The following morning at all times comes. The drain nonetheless must be repaired.

Many of the movie explores that comedown, the numerous static, inert moments between these temporary excessive factors. There’s ache in exploring the uninteresting, damp corners of Ah-tze’s life, as he sleeps in a perpetually flooded condo, protecting his ears to dam out the pounding via the partitions. Would-be rebels frequently mild cigarettes and strike placing poses, however every butt is rapidly extinguished and adopted because it circles the drain. Ah-kuei waits to be picked up and checks her look within the circus mirrors of the arcade trawl. Hsiao stabs a cockroach together with his compass after which smashes his personal window whereas the corpse clings to the surface. “Have you ever nothing else to do with your self?” his mom asks. If solely.

That cockroach serves as an oracle, predicting Hsiao’s fascination with Ah-tze’s life; ultimately, Hsiao will desecrate Ah-tze’s bicycle with the identical compass, utilizing the instruments of his deserted faculty to destroy one thing free and delightful, and maybe declare such magnificence for himself. It feels good to have a lot energy, like Ah-tze has Ah-kuei in his energy and leaves her in mattress, similar to his brother did earlier than him. When now we have so little, we won’t assist however be petty tyrants, ruling our fiefs just like the rebellious Neon God himself. The one factor Ah-tze possesses, the icon of freedom in his impoverished life, was destroyed as a result of Hsiao noticed a glimpse of himself mirrored in Ah-tze, a imaginative and prescient of what he might change into if he surrendered to the actions of the town. The glass deforms when it lights up; what look like gems erased by the rain are little greater than arcade lights.

Neon God’s parallel tales emphasize their cages, with fixed pictures echoing via Hsiao and Ah-tze’s lives, moments of preparation and striving and bitter disappointment. Because the movie progresses, these cages enclose every of our floating protagonists, drawn additional and additional to Earth by necessity, by failure, by the pursuit of involved mother and father or irate shopkeepers. Hsiao’s grand quest to affix the rebels ends with a short “fuck off” with Ah-tze dragging his damaged bicycle, the one time they really come into contact with one another. Every of them ends worse than they began, eager for intimacy in ruined residences and call-a-date cubicles.

However how can they do something however hope? Are we anticipated to stay in disappointment, understanding solely that tomorrow will likely be no totally different or higher than immediately? Even Hsiao’s mom prays to the Neon God, hoping for one thing higher, at the very least for her son. Select faith, select love, select the attract of the town lights – however now we have to decide on one thingone thing higher than a continuity of failure that extends far past the town limits. Ah-ping simply asks for a lady to hug, overwhelmed past recognition by the insurrection’s toll takers. Ah-kuei says, “let’s go away this place,” however cannot think about every other.

As we go away, the rain hits the glass, turning the town into an vague swirl of glowing embers, every glamorous and stuffed with potential. However within the morning, brilliant eyes remind us that they’re simply building alerts, charting a slender path into the gap. It was at all times only a trick of the sunshine.

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