![](https://seamanga.com/wp-content/uploads/2024/04/YATAGARASU-The-Raven-Does-Not-Choose-His-Master-–-Episode.jpg)
What’s it about? The dominion of Yamauchi was based by a Golden Raven, who remained on the mountain to serve the gods, whereas the lands under had been granted to his 4 youngsters. Custom states that every of the 4 homes should ship a daughter as a suitor for the crown prince – the symbolic Golden Raven – when he’s on the lookout for a bride. Woman Asebi, the second daughter of the struggling Japanese Home, is shipped to the marriage ritual in her sister’s place on the final minute, and is quickly caught up in courtroom intrigue and effervescent political unrest.
YATAGARASU appears intent on making a riveting epic, a historic fantasy wrapped in political drama full of a succession disaster, effervescent tensions between a number of factions, deep magical lore and a big forged of characters. In a style typically (not at all times, however typically) related to male nobles strategizing over wine and belligerence, it is fascinating that this primary episode is primarily anchored in a feminine character’s perspective and anxious with bridal custom.
Woman Asebi is our middle and the closest we’ve got to a number one man in the intervening time. She’s been cooped up all her life anticipating her older sister to signify the household on this marriage sport, which makes her an intriguing underdog, but additionally… nicely, conveniently naive, so the plot and backstory are as much as her are defined and the viewers can pay attention. Whereas she’s sympathetic sufficient, she’s not a very robust character thus far, serving primarily as a delegated outsider and listener for gossip and lore that can be vital to know later.
![Four women in elegant, elaborate kimono arranged in a pavilion. The subtitle text reads: You have formally entered the battle for the hand of His Highness.](https://i0.wp.com/www.animefeminist.com/wp-content/uploads/2024/04/Yatagarasu-3.jpg?resize=810%2C450&ssl=1)
Her most defining traits are that she is fearless and severe, but additionally a bit light-hearted, which makes her an open goal for the machinations of the courtroom. The most effective instance is ‘Woman Asebi’, the title given to her by the Empress, and it’s truly a merciless joke: asebi are toxic flowers identified to make horses drunk. The nuances of this insult go over Asebi’s head as the remainder of the room giggles at her, solely coming to mild when her fellow bridegroom candidates clarify them in essentially the most condescending method.
It is the traditional Bitchy Court docket Intrigue, but it surely’s not obligatory an indication that your entire story can be about girls competing in opposition to one another. Asebi will get a bit sympathy from one of many brides and clearly has a pre-established friendship with the prince’s youthful sister. If nothing else, this primary episode provides us a forged of satisfyingly diversified feminine characters: some are bubbly and naive, some are severe and aloof, some are cool and calculating, some are flirty and light-hearted, and so they all cherish their very own character . personal motivations behind the layers of the courtroom presentation.
Once more, Yatagarasu‘s deal with the ladies themselves favors them a bit story autonomy, even because the system itself reduces them to political pawns moved gracefully throughout an unsure board. The daughters are ambassadors for his or her Homes who should strategically sacrifice their loyalty, their our bodies, and even their lives for his or her household’s political achieve, and given the eye given to every of the 4 girls on this premiere, I am actually hopeful. that the story itself may unpack what that does to an individual and the way it makes her or him really feel. What are the motivations of the 4 brides? Obligation? Glory? Actual lust for energy?
![A lady-in-waiting shouting at Lady Asebi, who looks shocked, against a backdrop of an ornate gold screen. The subtitle text reads: This is war!](https://i0.wp.com/www.animefeminist.com/wp-content/uploads/2024/04/Yatagarasu-2.jpg?resize=810%2C452&ssl=1)
It stays to be seen, and I actually hope the present sticks to its nuanced and intriguing deal with the ladies within the forged – the extra feminine-coded area of the courtroom and the realm of marriage could possibly be simply as strategic and bloodthirsty as what occurs. additional into the masculine area of the struggle room and the extra overtly political conversations performed by the male heads of the Homes. We have solely gotten a small glimpse of the prince and his storyline, however he appears to be embroiled in his personal mess of intrigue. The Crown Prince – our Golden Raven – was unexpectedly thrown onto the throne, in an identical method to how Asebi was unexpectedly thrown into the bridal contest, so maybe some playful parallels can be drawn between the 2 that discover the themes of responsibility, succession, and energy that YATAGARASU appears to come back into play.
I am simply crossing my fingers that storytelling would not work out So caught up within the aspect of the male characters, leaving the women sidelined. I am additionally retaining my fingers crossed that Asebi is given room to develop, in order that she is not so clearly an idiotic sounding board for vital world-building. If profitable, I think about it will unfold right into a juicy, dynamic political drama.