My Fave is Problematic: I’m in Love with the Villainess


Content material Warning: Dialogue of sexual harassment, queerphobia, transphobia

Spoilers for the I’m in Love with the Villainess mild novels

Inori’s I’m in Love with the Villainess collection gives a pleasant queer twist on the “reborn because the villainess” style. Workplace employee Ohashi Rei is reincarnated as Rae Taylor, the protagonist of her favourite otome sport—nevertheless, Rae has no real interest in romancing any of the male love pursuits. She’s head over heels for the sport’s snooty villainess, Claire Francois, and makes it her mission to remain by Claire’s facet, defending her from the tragic destiny she is aware of lies on the finish of Claire’s storyline within the sport. Claire, for her half, is horrified that the goal of her bullying is no longer solely infatuated together with her, however overtly having fun with stated bullying. 

I’m in Love with the Villainess begins out as a foolish isekai romance however grows right into a story that earnestly advocates for queer individuals, taking up advanced topics like homophobia, transphobia, and classism. Nevertheless, the story’s reliance on messy tropes can typically muddle its messages.

Drained Tropes vs Queer Advocacy

Rae enthusiastically requesting that if Claire wants to step on her, she do it harder

Rae is an overtly homosexual protagonist and she or he actually needs her imply lady crush to step on her. This brings some laughs whereas being relatable to a number of queer girls, myself included. However, sadly, Rae’s habits in the direction of Claire typically crosses over into sexual harassment. Rae doesn’t take Claire’s “no” for a solution. She insists on following her round and declaring her love regardless of Claire’s repeated requests she cease. She even turns into Claire’s maid in opposition to her needs, and most indefensibly, takes benefit of that place to ogle Claire as she alters garments. The altering scene is by far Rae’s worst second, and her habits settles down so much after that. As Claire realizes her emotions for Rae, their relationship deepens. Nevertheless it’s nonetheless an instance of the drained storyline the place an excessively pushy love curiosity repeatedly disregards boundaries, however wins the lady over in the long run.

Rae explains that gender DOES matter for her, and she wouldn't fall in love with a man

It additionally clashes with the collection’ extra honest exploration of queer points. One early stand-out second is when Rae is requested point-blank if she’s homosexual. One other character feedback that Rae will need to have simply occurred to fall in love with a girl, as a result of gender doesn’t matter with regards to romance. Rae corrects her, stating gender is related to her as a lesbian and she’s going to by no means fall in love with a person. “Our love merely transcends gender” or “I’m not homosexual, this one individual is simply an exception” is a trope that was typically utilized in manga and anime, particularly within the ‘90s and ‘00s. It erases any acknowledgement of queerness from a queer romance. It’s been slowly falling out of favor in recent times as animanga has shifted to overtly discussing queer identities, although some tales nonetheless take pleasure in it. It’s good that the narrative provides Rae the chance to push again in opposition to this angle and level out the way it erases her as a lesbian.  

Likewise, the identical scene calls out the prejudiced assumption that queer persons are all predators. When Rae confirms she’s homosexual, Claire strikes away from her, saying she’s afraid of what Rae will do to her. Claire’s angle is known as out, and the narrative unpacks why this social thought (and storytelling trope) is offensive.

Rae in her old classroom. "I've almost never had anyone I loved return my feelings."

It’s nice to see a enjoyable isekai rom-com talk about queer points so critically. It’s a second that related with me and plenty of others. However calling out the predatory homosexual stereotype is sadly very muddled by how the collection routinely performs Rae’s harassment of Claire for comedy. Claire has each proper to really feel uncomfortable round Rae, so it’s weird to have her referred to as out for considering Rae would possibly do one thing to her.

To be honest, that is acknowledged by saying that Claire has a “proper to mistrust Rae due to the issues she does and says” (vol. 1). The scene is extra centered on contesting Claire’s assumption {that a} lesbian will routinely hit on each lady she sees. However that message would have been clearer if somebody moreover Claire had been interrogated on why they suppose Rae could be occupied with them. In spite of everything, Claire is aware of Rae is occupied with her. As it’s, it could come off as if Claire solely has an issue with Rae’s habits due to her internalized homophobia, regardless that that possible wasn’t the intention of the scene.

Lene telling Rae that "homosexuality is not the only kind of forbidden love."

The honest message about prejudices clashing with Rae’s comedic sexual harassment is a consequence of how I’m in Love with the Villainess indulges in a number of well-worn tropes, together with fraught ones. An instance is when it busts out an incest story line. Tragic incestuous tales had been as soon as far more widespread in yuri, stretching all the way in which again to Pricey Brother. Villainess hearkens again to this with a plot twist the place some facet characters are revealed to be in an incestuous relationship. They’re handled as tragic and sympathetic as a result of their love can’t be accepted by society; within the anime Rae even says “homosexuality isn’t the one kind of forbidden love,” which straight equates queer sexuality and incest. That is one thing that bigots typically do to stoke hatred of homosexual individuals, so it’s extremely uncomfortable to have this rhetoric voiced by the lesbian protagonist. 

The novels additionally do that much more not directly, as Rae needs individuals may very well be free to like who they need whereas seeing the siblings off, equating their scenario to her personal. That is positively probably the most alienating parts of the primary two novels, and the one saving grace is that Inori doesn’t present a lot curiosity in depicting the siblings’ relationship intimately.

Complicating the Comedic Lesbian

A smiling Rae thinking "making jokes and laughing it off is the only way I can get by."

Nevertheless, Villainess may also give shallow tropes some fascinating depth. The collection isn’t simply content material to have Rae be a comedic lesbian character, however explores the societal pressures that formed her. Rae is nicely conscious she’s enjoying into some stereotypes together with her over-the-top habits, but treating her personal queerness as a joke is the one means she feels she will defend herself and nonetheless be open about her sexuality. 

In Quantity 1 of the collection, Rae talks about how “if you’re queer and also you fall in love with somebody who can by no means reply to your emotions in variety, they typically nonetheless behave extra intimately with you than they’d with somebody of the other intercourse. However after the second you understand you’re in love with them, that simply makes them really feel even additional away. In the event you run into this downside repeatedly(…), you would possibly turn into the type of one who can solely helplessly chortle the entire thing off.”

Rae goes out of her strategy to keep away from this loneliness tainting her relationship with Claire. She acts over-the-top partly to maintain a distance between them, so it doesn’t harm a lot when Claire rejects her. In spite of everything, this manner, Claire can be rejecting her as a result of she’s bizarre and annoying, not as a result of she’s homosexual. 

This doesn’t excuse Rae’s habits, but it surely does make her very fascinating. Rae’s character arc is about realizing her love isn’t doomed to be unrequited endlessly simply because she’s queer. She realizes she is able to giving Claire a cheerful life. She slowly learns to be extra earnest in expressing her love, however by no means fairly loses her goofy facet. It’s a touching arc that highlights a number of the messy struggles queer individuals can undergo.

Lesbian Geeks and Transformative Fandom

Rae remembering the fanfic/doujin she wrote about Claire

One of many foremost attracts of I’m in Love with the Villainess is the enjoyable escapism and lesbian want achievement it gives. Rae appears like an genuine illustration of a lesbian geek. She engages in habits acquainted to a number of queer followers in how she enjoys and transforms a narrative that’s not aimed toward her. She ignores all of the male characters she’s “supposed” to love to obsess over the lovable imply lady who’s hated by the fandom. One of many scenes that hooked me on the novels is when the sport’s menu display screen reveals Rae the choice to be saved by one of many three male characters. Rae rejects this, actually keen a “Claire” possibility into existence. It’s an ideal instance of how homosexual followers can rewrite narratives that initially made no house for them to incorporate queerness. 

In truth, Villainess stands out amongst isekai as a result of the story pays consideration to transformative fandom and fan tradition. In her earlier life, Rae responded to Claire’s tragic destiny by writing doujinshi the place Claire rises from the ashes and turns into a reliable villain conquering the world. It’s the epitome of “I don’t wish to repair her, I wish to make her worse.” Rae doing deep-dive analysis for her fanfic can also be essentially the most convincing rationalization for an isekai protagonist understanding each side of the story I’ve ever seen.

princely Rae princess-carrying Claire

Rae’s engagement with fandom, particularly yuri fandom, can also be proven to be important for her journey in accepting herself as a lesbian. When she was a preteen struggling to just accept her sexuality, a yuri mild novel collection helped her. Describing the novels, Rae states “(The primary character’s lesbian upperclassman) was at all times there to validate the primary character’s emotions, explaining to her that same-sex love wasn’t a sin. The primary character resisted at first, however she slowly got here to just accept herself. Studying her journey, I felt like my very own emotions had been being affirmed alongside hers” (vol 2).

It’s a touching instance of how queer media can validate somebody who’s struggling. Rae even offers with the frustration of her favourite lesbian within the collection dying, by writing a brand new fanfic the place the character will get to admit her love. The fanfic then provides Rae the braveness to admit to her personal crush. It’s a really candy instance of how transformative fandom can encourage marginalized followers to precise themselves. 

Color Manga page of Claire reflected in Rae's eyes

Rae additionally appears like an genuine fan as a result of she doesn’t simply uncritically love each facet of the sport she’s transported into. In an correct illustration of how followers typically nitpick issues they love, she continuously snarks about how Japanese traditions have made it into this European setting as a result of the builders had been Japanese. And most curiously, she’s even bothered by the unique sport’s transphobia. She explains that the sport features a curse “that made an individual seem as a gender apart from their true one, and Revolution used it for comedic leverage. This frankly troubled me a bit, given a few of my private experiences (with trans individuals).” Sure, it seems Rae herself understands what it’s wish to have a problematic fave. If she had been actual, we could be seeing a passionate article about Revolution from her on Anifem!

Trans Pleasure and Trans Tragedy

One huge motive that Rae feels so genuine as a lesbian geek is that the creator is one herself. Inori, the creator of I’m in Love with the Villainess, is a trans lesbian, and this “personal voices” facet of the story is one more reason followers discover this collection particular. Inori can also be clearly invested in utilizing her platform to advocate for each homosexual and trans individuals, and straight confronts homophobia, transphobia, and queer stereotypes within the narrative.

I’m in Love with the Villainess advocates passionately for trans individuals. Within the second novel, it’s revealed {that a} facet character beforehand handled as male, Yu, is definitely a lady. Her mom modified her intercourse via a magic spell to pressure her to stay in a physique she feels uncomfortable with and to current as male. However she needs to have the ability to stay freely as a lady. 

Princess Yu
Yu reveals her true gender

In Quantity 2, Yu’s girlfriend, Misha, explains, “Everybody sees Yu as a boy, however she’s a lady. Rising up, she was eternally confused. There was a spot between us—between what Yu knew to be true and what everybody else noticed.” Yu’s pals assist her give you a plan to assist her escape her abusive mom and stay overtly because the lady she actually is. When Yu proclaims to everybody, “Sure, I’m, in actual fact, a lady. I’ll not deceive you, or to myself. I want to stay out the remainder of my days as my true self, the lady you see earlier than you,” it’s exhilarating and triumphant.

Yu’s scenario is a tackle the magical intercourse change, or TSF, story. However Inori complicates the want achievement of such a narrative by textually evaluating Yu’s fantastical scenario to trans individuals experiencing gender dysphoria. Rae straight explains to the viewers, “Being queer in my earlier life, I had met individuals with all types of queer experiences. Quite a lot of these individuals had struggled with gender dysphoria, and a few had discovered wellness and peace in altering their mode of gown, or taking hormones, and different such issues” (vol 2). She even goes on to straight advocate for trans individuals to obtain higher medical assist, impressing upon the viewers how necessary that is: “Even therapy aimed toward merely assuaging (gender dysphoria) signs will be completely crucial, even lifesaving” (vol 2).

character sketch of adolescent Misaki
Preteen Misaki’s character design within the manga

The explanation Rae is so obsessed with serving to Yu stay freely as a lady is due to her expertise with a buddy in her earlier life. Rae reveals that her buddy and former childhood antagonist, Misaki, confided in her about being a transgender man after they reconciled in school. Misaki ultimately dedicated suicide. In Quantity 2, when Rae laments that “the world… Misaki’s mother and father blamed him. They referred to as him weak, stated he was flawed to really feel how he did. (…) I don’t ever need that to occur once more. After they’re gone, it’s too late,” her grief is palpable. It’s certainly a grief the creator herself shares over the struggling of trans individuals in a phrase that’s typically horrible to them. Inori is clearly making an attempt to impress on her viewers how necessary giving trans individuals assist is, and it’s not my place to debate her proper to discover trans tragedy alongside trans pleasure.

  Nevertheless it’s additionally simple that depicting a suicide for instance this level might trigger critical discomfort to trans readers. And although Inori does flesh out Misaki considerably, it’s unlucky that the character largely features as a troubled antagonist, after which a tragic image. It might have been nice to see him as a totally realized character. The English translation additionally muddles issues additional, since Misaki’s true gender being a plot twist additionally means Rae inexplicably misgenders her pricey buddy earlier than the reveal.

Inori does mitigate Misaki’s tragic ending a bit by together with a bit in Quantity 4 the place Rae and Claire rescue a trans girl from transphobic prosecution, and assist her entry the identical “crosswise curse” that tormented Yu so she will change her personal intercourse. Inori makes it clear her world has a happier tomorrow in thoughts for trans individuals.

The Energy of Unsubtle Storytelling

Misha asking if Rae is "what they call 'gay'"

I’m in Love with the Villainess is commonly blunt as a sledgehammer, however that could be precisely what makes it join a lot with followers. A author extra involved with subtlety wouldn’t have Rae actually flip to the digital camera and clarify what gender dysphoria is and the way Yu’s scenario is a metaphor for this. But the story so straight making these connections and advocating so clearly for trans individuals is precisely what makes it so necessary to followers. Inori is aware of these points are important, so she doesn’t need anybody to misconceive what she’s saying. 

She additionally doesn’t enable homophobes and transphobes to really feel comfy studying her work. She straight calls out potential homophobes in her viewers with strains like “Japanese individuals will fortunately take pleasure in homosexual or lesbian media, however the second they study a queer individual is definitely amongst them, they act as appalled as any conservative” (vol. 5). An instance of how Villainess filters out homophobes and transphobes will be seen within the Crunchyroll feedback for Episode 3 of the Villainess anime the place a number of commenters expressed disgust this present about two ladies in love dared talk about LGBTQIA+ points. “It was a cute yuri, now it’s simply homosexual,” one commenter snarls with a whole lack of irony. Inori provides followers who’re completely happy to get pleasure from lesbians as a fantasy however whip out the slurs the second a homosexual individual talks about prejudice a impolite awakening. She makes it clear this story is just not for them. Inori taking a stand like this and difficult her viewers is invaluable. 

Viva la Revolution!

Claire asking in horror if she'll have to wait on people at the cafe. Rae is unimpressed

This similar difficult angle extends to different themes within the story. Inori makes it clear her story very a lot sympathizes with the marginalized and has her heroes battle for social change. That is particularly refreshing to see in isekai, when there’s been an enormous development of justifying protagonists shopping for slaves. In distinction, Villainess depicts the heroes combating to assist the marginalized. Whereas Rae’s first precedence is at all times Claire, she additionally continuously advocates for social change. She straight confronts the church about their homophobia in Quantity 2, she’s a passionate trans ally who goes all out in opposition to transphobic authority figures, and she or he gently challenges Claire on her classism a number of occasions. Granted, Rae’s want to assist Claire see the struggles of the widespread individuals is partly to keep away from Claire getting guillotined, but it surely’s clear Rae additionally sincerely believes the trigger is simply. 

Classism is commonly handled as a personality quirk or set dressing in villainess tales, however I’m in Love with the Villainess critically engages with it. Claire’s gradual arc of unlearning classism is satisfying. She genuinely involves passionately battle for the commoners and willingly provides up her standing as a noble. Villainess additionally sometimes reveals a deeper understanding of poverty than  many tales, recognizing that “Poverty is evil. And our flesh pressers are neglecting these residents who stay on this depraved situation. In different phrases, the flaw lies within the system itself” (vol 2).

Rae and Claire dressed as fencers in an Utena homage

That stated, the precise depiction of the commoner’s revolution does go away one thing to be desired. Regardless of the story exhibiting understanding of the systemic nature of poverty, it rapidly turns into extra involved with delivering plot twist after plot twist concerning the warring factions. The decision of the storyline focuses on defeating an evil mastermind who’s been secretly pulling the strings. Everybody agrees to transition to a constitutional monarchy means too simply and this will get so much much less consideration than the motion packed battle in opposition to the villain. Rae is the one foremost participant within the revolution who’s a real “commoner,” as even the leaders of the commoner motion are revealed to be disgraced former nobles. It appears like Inori wasn’t certain how one can sort out such a fancy situation whereas holding the story thrilling, so it grew to become an motion hero battle in opposition to a one-dimensional villain.

The Everlasting Tragedy of the Single Season Yuri Anime

The profitable commoner’s revolution is a crucial component of Villainess, which is why it’s disappointing that anime-only followers received’t get to see it. The anime additionally stops simply earlier than the exploration of trans points that Villainess is thought for. It appears unlikely the anime will get a second season, contemplating even the primary season wasn’t given a number of sources. A comparable isekai yuri anime, The Magical Revolution of the Reincarnated Princess and the Genius Younger Woman, bought a sensible adaptation that lower down on the supply materials’s repetitive parts. In distinction, the Villainess anime spent a number of time on the neverending scholar duels slightly than specializing in the core relationship parts followers had been there for. We solely see a touch of the place Claire and Rae will find yourself.

Rae and Claire with two small children of their own

This can be a disgrace, as a result of Claire and Rae’s completely happy ending is one other factor that makes Villainess special. The story acknowledges that social change isn’t at all times fast, so whereas Rae and Claire put forth arguments for homosexual marriage to the dominion’s politicians, it isn’t authorized but. That is clear send-up to the persevering with battle for homosexual marriage in real-life Japan. However Rae proposes to Claire anyway. They stay fortunately as wives and they’re acknowledged as such by everybody round them. In addition they undertake kids and are genuinely great moms to them. That is heartwarming and affirming, particularly contemplating the persevering with battle homosexual {couples} face when adopting in Japan. The second novel’s “completely happy ending” additionally isn’t a real ending. There’s three mild novels after that, they usually all depict Claire and Rae as a steady, grownup married couple who’ve created a beautiful household. It’s good to see the couple’s grownup home life, which is often simply an epilogue for yuri collection starring teenagers.

Rae and Claire sharing a kiss at their wedding

I’m in Love with a Villainess is filled with questionable tropes, uneven writing, and muddled execution. However its earnestness and coronary heart shines via. A few of its fumbles are even endearing. The story’s mix of indulgent want achievement and simple dialogue of ignored LGBT points is precisely what makes followers fall in love with it. It’s not an ideal collection, however should you can take care of its tough patches, you would possibly discover a rewarding, charming story crammed with queer pleasure.



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